Every twenty years a new generation rises, but who and what defines these generations?
About GenTech: An American Story of Technology, Change and Who We Really Are
Every twenty years a new generation rises, but who and what defines these generations? And could current generational tags mislead and miss the point? In this insightful analysis of technology history since 1900, Dr. Rick Chromey offers a fresh perspective for understanding what makes a generation tick and differ from others. Within GenTech, readers learn how every generation uniquely interacts with particular technologies that define historical temperament and personality and why current generational labels are more fluid than fixed, and more loopy than linear. Consequently, three major generational constellations emerge, each containing four, twenty-year generations that overlap, merge, and blend:
The Audio Generations (1900-1950): Transportation-Telephone Generation (1900-1920), Motion Picture Generation (1910-1930), Radio Generation (1920-1940), Vinyl Record Generation (1930-1950)
The Visual Generations (1940-1990): Television Generation (1940-1960), Space Generation (1950-1970), Gamer Generation (1960-1980) and Cable Television Generation (1970-1990)
The Digital Generations (1980-2000): Personal Computer-Cell Phone Generation (1980-2000), Net Generation (1990-2010), iTech Generation (2000-2020), and Robotics Generation (2010-2030). Dive in and revel in this exciting, compelling, and novel perspective to understanding recent American generations with GenTech.
Rick Chromey is a cultural explorer, social historian and generational futurist. He’s also served as a pastor, professor, speaker/trainer, and consultant. In 2017, he founded MANNA! Educational Services International to inspire and equip leaders, teachers, pastors, and parents. Rick has a doctorate in leadership and the emerging culture; and travels the U.S. and world to speak on culture, faith, history, education, and leadership topics. He has authored over a dozen books on leadership, natural motivation, creative communication, and classroom management. He lives with his wife, Linda, in Meridian, Idaho.
Get ready to have fun and learn all about talent, skill and luck, with Alycat and the Tournament Tuesday.
About Alycat and the Tournament Tuesday
A “Mom’s Choice Award Winner”! Alycat’s brother, Bugsy, is playing in a golf tournament with some of his friends, and wants to use his lucky ball to win the game. But when Alycat forgets his lucky ball at home, Bugsy learns what luck is really all about. Can Bugsy win the tournament without his lucky ball? Alycat and the Tournament Tuesday is part of the Alycat Series: alycatseries.com.
Our Thoughts
This is a super sweet book that both parents and children can appreciate. Do you have a lucky pair of socks or underwear? A lucky hat? Or perhaps a ritual that may seem silly to others but is something that you swear by? That item that you have to have, otherwise you feel that you will lose?
I think we can all appreciate the concerns of Bugsy in this story. He swears by his lucky ball for when he plays golf. He truly believes that he needs that ball in order to succeed and win. It doesn’t matter that he was encouraged by his parents and sister that it isn’t the ball that makes him win – that it is his natural skill and how much he practices. In a twist of events, his lucky ball was left at home and his sister wanting to help him tries to trick him but was unsuccessful when he realizes her trick. Can he still win? Can he find the courage to belief in himself?
I loved this beautiful story. It was easy to read to my child and the illustrations helped capture his attention. But more importantly, it was the plot itself that was so important. Even at the young age of six, my son felt he needed to have a certain lucky item on his person during his soccer games. He is a wonderfully talented soccer player who practices daily, so I was surprised that he felt (and still feels), he needs his lucky item in order to win. I want him to understand and believe that it is HIM that will decide the outcome of his success, not a physical item on his person. This story sparked a great conversation of ‘lucky items and superstitions’ and how it is us, as a an individual, who decides our future. This is a fantastic read for all young children that I strongly encourage parents to read and speak to their child about. It doesn’t matter if your child is an athlete – a lot of times they carry over these beliefs into tests, assignments, presentations. It is so important for children to be empowered and to know that they hold the key to success.
Alysson Foti Bourque is the author of the award-winning Alycat series. Alysson earned a Bachelor of Arts degree in Elementary Education from the University of Louisiana at Lafayette and a Juris Doctor degree from the Southern University Law Center.
After practicing law for six years, she traded in writing trial briefs for writing children’s books. Alysson enjoys public speaking opportunities at schools, conferences, and festivals nationwide. She hopes to inspire people of all ages to follow their dreams and believe in themselves wholeheartedly.
Dive into the world of Henrietta in this exciting series.
A Girl Like You
A GIRL LIKE YOU: Beautiful Henrietta Von Harmon works as a 26 girl at a corner bar, Poor Pete’s, on Chicago’s northwest side. It’s 1935, but things still aren’t looking up since the big crash and her father’s subsequent suicide. Left to care for her antagonistic mother and seven younger siblings, Henrietta is persuaded to take a job as a taxi dancer at a local dance hall. Henrietta is just beginning to enjoy herself, dancing with men for ten cents a dance, when the floor matron suddenly turns up murdered. The aloof Inspector Clive Howard then appears on the scene, and Henrietta unwittingly finds herself involved in unraveling the mystery when she agrees to go undercover for him in a burlesque theater where he believes the killer lurks.
Even as Henrietta is plunged into Chicago’s grittier underworld, she struggles to still play the mother “hen” to her younger siblings and even to the pesky neighborhood boy, Stanley, who believes himself in love with her and continues to pop up in the most unlikely places, determined, ironically, to keep Henrietta safe, even from the Inspector if needs be. Despite his efforts, however, and his penchant for messing up the Inspector’s investigation, the lovely Henrietta and the impenetrable Inspector find themselves drawn to each other in most unsuitable ways.
Newly engaged, Clive and Henrietta now begin the difficult task of meeting each other’s family. “Difficult” because Clive has neglected to tell Henrietta that he is in fact the heir to the Howard estate and fortune, and Henrietta has just discovered that her mother has been hiding secrets about her past as well. When Clive brings Henrietta to the family estate to meet his parents, they are less than enthused about his impoverished intended. Left alone in this extravagant new world when Clive returns to the city, Henrietta finds herself more at home with the servants than his family, much to the disapproval of Mrs. Howard―and soon gets caught up in the disappearance of an elderly servant’s ring, not realizing that in doing so she has become part of a bigger, darker plot.
As Clive and Henrietta attempt to discover the truth in the two very different worlds unraveling around them, they both begin to wonder: Are they meant for each other after all?
Anxious to be married, Henrietta and Clive push forward with their wedding plans despite their family differences, made worse now by Oldrich Exley’s attempts to control the Von Harmons. When the long-awaited wedding day arrives, there is more unfolding than just Clive and Henrietta’s vows of love. Stanley and Elsie’s relationship is sorely tested by the presence of the dashing Lieutenant Harrison Barnes-Smith and by Henrietta’s friend Rose―a situation that grows increasingly dark and confused as time goes on.
As Clive and Henrietta begin their honeymoon at Castle Linley, the Howards’ ancestral estate in England, they encounter a whole new host of characters, including the eccentric Lord and Lady Linley and Clive’s mysterious cousin, Wallace. When a man is murdered in the village on the night of a house party at the Castle, Wallace comes under suspicion―and Clive and Henrietta are reluctantly drawn into the case, despite Clive’s anxiety at involving his new bride and Henrietta’s distracting news from home.
Delicately attempting to work together for the first time, Clive and Henrietta set out to prove Wallace’s innocence, uncovering as they do so some rather shocking truths that will shake the Linley name and estate forever.
Their honeymoon abruptly ended by the untimely death of Alcott Howard, Clive and Henrietta return to Highbury, where Clive discovers all is not as it should be. Increasingly convinced that his father’s death was not an accident, Clive launches his own investigation, despite his mother’s belief that he has become “mentally disturbed” with grief. Henrietta eventually joins forces with Clive on their first real case, which becomes darker―and deadlier―than they imagined as they get closer to the truth behind Alcott’s troubled affairs.
Meanwhile, Henrietta’s sister, Elsie, begins, at Henrietta’s orchestration, to take classes at a women’s college―an attempt to evade her troubles and prevent any further romantic temptations. When she meets a bookish German custodian at the school, however, he challenges her to think for herself . . . even as she discovers some shocking secrets about his past life.
When Clive, anxious to distract a depressed Henrietta, begs Sergeant Frank Davis for a case, he is assigned to investigating a seemingly boring affair: a spiritualist woman operating in an abandoned schoolhouse on the edge of town who is suspected of robbing people of their valuables. What begins as an open and shut case becomes more complicated, however, when Henrietta―much to Clive’s dismay―begins to believe the spiritualist’s strange ramblings.
Meanwhile, Elsie begs Clive and Henrietta to help her and the object of her budding love, Gunther, locate the whereabouts of one Liesel Klinkhammer, the German woman Gunther has traveled to America to find and the mother of the little girl, Anna, whom he has brought along with him. The search leads them to Dunning Asylum, where they discover some terrible truths about Liesel. When the child, Anna, is herself mistakenly admitted to the asylum after an epileptic fit, Clive and Henrietta return to Dunning to retrieve her. This time, however, Henrietta begins to suspect that something darker may be happening. When Clive doesn’t believe her, she decides to take matters into her own hands . . . with horrifying results.
Michelle Cox is the author of the multiple award-winning Henrietta and Inspector Howard series as well as “Novel Notes of Local Lore,” a weekly blog dedicated to Chicago’s forgotten residents. She suspects she may have once lived in the 1930s and, having yet to discover a handy time machine lying around, has resorted to writing about the era as a way of getting herself back there. Coincidentally, her books have been praised by Kirkus, Library Journal, Publishers Weekly, Booklist and many others, so she might be on to something. Unbeknownst to most, Michelle hoards board games she doesn’t have time to play and is, not surprisingly, addicted to period dramas and big band music. Also marmalade.
In this tale of love, passion, and self-discovery, three Jamaican men become caught up in a 1960s revolution that reveals injustices, oppression, and a purpose for one of them.
About A Reason for Living
It is the mid-1960s in Kingston, Jamaica, and the country is steeped in social, political, and economic inequities. Howard Baxter, the heir to a real estate empire, has no interest in seeking or managing wealth. Painting and deflowering Jamaican maidens are his passions. As he combs the streets looking for greater meaning in his pathetic life, it soon becomes apparent that Howard’s journey will not be easy. Bernaldo Lloyd, a member of the Baxter clan, is a medical student who is sensitive to the hopelessness of the Jamaican masses. Inspired by his close friend and Howard’s cousin, Ras Robin Pone, and their ties with the Rastafari movement that calls for social and economic equity, Bernaldo is determined to overthrow the corrupt government. As Howard, Bernaldo and Robin become influenced by The American Black Power and Civil Rights movements demanding equal rights for African Americans, the women in their lives both love and criticize them. But when revolution breaks out, Howard finally discovers a purpose for his twisted life that leads him in a direction he never anticipated. In this tale of love, passion, and self-discovery, three Jamaican men become caught up in a 1960s revolution that reveals injustices, oppression, and a purpose for one of them.
My Thoughts
This is a powerful story told during an important time of change. The story circles around three men: Howard, Bernaldo and Robin but I feel that Howard takes the centre stage and he is the central piece that the story hinges on. It is his actions that bring about change and connect all of our minor characters together.
This novel exposes the difficult side of life in Jamaica in this time period. I think when we view this beautiful country, we don’t stop and understand enough the struggles of their people and what they have endured. This book encouraged me to do some of my own research into the political movements during this time frame and I found a new appreciation of the struggles and triumphs of the people.
Through this novel we are exposed to the poverty, inequality and the lack of hope of the people at this time. The extreme poverty seen in this story leads to a desperation, or even a lack of hope for the future. We see this in the relationships between our main characters and the ones that are explained to us in the story. We see characters sell their bodies, or have frequent partners – which was explained to us that this was done out of boredom (with no future to rise out of poverty, what should they be doing?). While they make up the majority of the population in Jamaica – they are the poorest in the country. The wealth of their country is held in the hands of a few, elite individuals who do not have the interests of the majority at heart. The government is corrupt and in the hands of the wealthy, instead of looking after their people, they send the wealth out of the country. Change is needed but how do we create change? Our characters, especially Howard, become the catalyst needed for change in their country.
Howard is a difficult character – he is an artist with a troubled past. He holds on to the pain of losing his Mother and so many times throughout the novel seems both lost and found. He has been abused by others and has used others. He wants to see a better future for his people but at times, I am not sure if he can see what that picture is in his own mind. He is rash at times but always with a sense of purpose. My heart was sore for him at times and at other times angry at him for his actions and hurting those around him. But you also felt sorry for him because he doesn’t know any better because of his own past. You want to see him succeed but he is also his own worst enemy. The ending was hard – I thought he may have finally found peace but we were left hanging.
This is a well written, thought provoking novel. I found it difficult to follow at first but about a third of the way in, I could not put it down. There were difficult scenes to read and some parts that left you angry at the treatment of the female characters but when you begin to look at the root cause of these actions, it really makes you think. The novel is geared towards adults and mature young adults due to the content.
Raymond Arthur Julian Reynolds aka Julian Jingles, is a writer, filmmaker, and entrepreneur and operates in New York, USA, and Jamaica, W.I. He began his writing career in 1966 at 16 years old, writing A Reason For Living about a family caught up in a revolution in Jamaica in the mid-1960s. It was written in three drafts and completed in 1968.
He pursued a career in journalism at the Gleaner Company in Kingston, Jamaica writing extensively on the Jamaican music industry, cultural, and social issues. At age 22 he was a columnist writing Merry Go Round, and In the Saddle for the Gleaner, and Record Shop for the Star. He has published several articles, short stories, and essays in Swing, and Cooyah, magazines, the Abeng, and Public Opinion newspapers, in Jamaica.
He immigrated to the United States in 1972 to write two screenplays, “Half Breed,” and “One Way Out.” In New York he has written for the New York Amsterdam News, the Jamaica Weekly Gleaner (NA), Everybody’s magazine, JET, the Daily Challenge, the New York Daily News, the Carib News, and as a foreign correspondent for the Gleaner in Jamaica. He developed an interest in film and television production, and received training in script writing, film, theater, and television directing and production, with the National Academy of Television Arts and Sciences, and wrote and produced three documentary films, “Jamaican Gun Court” (1974), “It All Started With The Drums” (1987), and “Jammin’ In Jamaica–With The Mystic Revelation of Rastafari” (1996), and directed the latter two. He has also worked as production manager on several music videos with performers such as Kool & the Gang, the Manhattans, and Steel Pulse.
Between 1998 to 2018 he contributed frequently to the In Focus section of the Jamaica Sunday Gleaner, writing on socio-economic and cultural issues. He has been an entrepreneur as he pursues his literary career, involved in business consultancy with the National Minority Business Council in New York, and the importing, exporting and distribution of agro-products between Jamaica and the United States, and have produced several music concerts, and stage plays in New York, and Kingston.
He was married in 1972 to Charmaine Jasmine, who is deceased. He has three children, 11 grandchildren, and one great grand, and continues living in New York, and Jamaica.
As autumn softens into winter at the beautiful Massachusetts farm, Julie resolves to do everything she can to ensure a happy ending for her clients. But despite her best efforts, will there be fewer weddings than planned at Jingle Valley this year? Or could there be more?
About All’s Well in Jingle Valley
It’s been three years since Julie Tate and her business partner Freddy saved the farm at Jingle Valley and set up their boutique wedding business. After much hard work, and some challenging clients, it finally looks like they’re well on their way to success. Newly single, Julie’s trying not to envy the happiness enjoyed by her wedding clients. But it’s difficult to keep her mind on the job when her days are filled with other people’s romances. And when a door she thought was closed appears to open again, her confusion deepens.
Second-chance couple April and Bill clearly adore each other, and they love the idea of getting married at Jingle Valley. But with each bringing complicated histories to their relationship, will their pasts interfere with them tying the knot?
As autumn softens into winter at the beautiful Massachusetts farm, Julie resolves to do everything she can to ensure a happy ending for her clients. But despite her best efforts, will there be fewer weddings than planned at Jingle Valley this year? Or could there be more?
Martha Reynolds was raised in Rhode Island, spent a year of college in Switzerland, and is always planning a return visit. She completed an accomplished career as a fraud investigator and decided it was time to do something she really liked.
She now writes full-time and has set a personal goal of releasing a book a year until she dies. Her writing has appeared in Magnificat magazine and her very short poem was read by journalist Connie Schultz during NPR’s Tell Me More poetry challenge.
Her novel VILLA DEL SOL won the 2018 Book Award in Literary Fiction by the Independent Publishers of New England.
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